Directory: Eight

Furo Ro: Three Forms

The furo and the ro are rarely, if ever, used together, however there are so many similarities and differences that examining them together is quite revealing. One great difference is that the furo/kama manifests the Yō, 陽, positive aspect, and the ro manifests the In, 陰, negative aspect. The standard fu-ro, 風炉, wind-hearth, that uses a go-toku, 五徳, five-virtues, to support the kama, 釜, kettle, was originally made of tetsu, 鉄, iron, as was the kama, 釜, kettle. Furo are made in various materials; iron, bronze, ceramic, wood, etc. A furo is essentially a large bowl that has an opening in the front, hi–mado, 火窓, fire-window. The...

Chakin and Lotus

Over the past four decades, I have thought that there is a close relationship between the dō-gu, 道具, way-tool, of Chanoyu and Buddhist implements. That which prompts this thought is primarily in the presence of the lotus and its various aspects. It is the means in which one is reborn into Buddhist paradise. Perhaps the most obvious object is the lotus, and, in particular, its seedpod, ren-niku, 蓮肉, lotus-flesh. The conical pod resembles the form of the Ten-moku ja-wan, 天目茶碗, Heaven-eye tea-bowl. The Tenmoku bowl holding tea is placed on the Buddhist altar along with other utensils that are based on the lotus forms. Black lotus...

Chasen Suehiro

Outer tines are separated by intertwined threads from thinner, inner tines. The outer tines are bent outwards, the inner tines are bent inwards. The alternating tines create the Japanese number eight, hachi, 八, manifesting sue-hiro, 末広, ends-wide. The inner tines also create the number hachi in the opposite direction. The number eight is symbolic of Infinity in Space. The two variations of the number hachi, might evoke the number hachi-hachi, 八八, or hachi-jū-hachi, 八十八, which is exceptionally auspicious, symbolic of the center of the world. There are three threads that measure 8 sun kane-jaku, long, that are wound around the chasen, and that are left a little...

Chasen and the Gorintō

In Cha-no-yu, 茶の湯, tea-’s-hot water, the cha-sen, 茶筅, tea-whisk. The chasen is a length of bamboo that is cut into many tines at one end, and has thread wound around the bamboo to separate the outer ring of tines. By itself alone may represent the Go-rin-tō, 五輪塔, Five-ring-tower. The Go-rin, 五輪, Five-rings or principles, are Chi, 地, Earth, Sui, 水, Water, Ka, 火, Fire, Fū, 風, Wind, Kū, 空, Void. The Kanji for ring, 輪, also means the Indian concept of chakra, points or areas on the human body. The chasen is round to manifest the chakra which is a circle. The word Gorintō is composed of...

Hibashi

Among the essential utensils in Chanoyu are a pair of metal hi-bashi, 火箸, fire-rods, used by the tei-shu, 亭主, house-master, to move pieces of charcoal, sumi, 炭. The charcoal presentation in the presence of the guests, kyaku, 客, is called sumi de-mae, 炭手前, charcoal hand-fore. Different types of hibashi are used with the fu-ro, 風炉, wind-hearth, and the ro, 炉, hearth. For the furo, Sen no Rikyū preferred simple hollow steel rods with an eye-hole at the end and covered with black lacquer. Hibashi for the ro are hollow, metal rods with mulberry wood handles: kuwa-e, 桑柄, mulberry-handle. The most formal hibashi are kazari hi-bashi, 飾火箸,...

Futaoki

The height of Rikyū’s take futa-oki, 竹蓋置, bamboo lid-rest, measures 1.8 sun kane-jaku, 1.8 寸曲尺, “inch” bend-span: also 18 bu (分) kane-jaku, 180 rin (厘)kane-jaku. The 1.8 sun kane-jaku measurement equals 1.44 sun kujira-jaku. Ideally, the bamboo lidrest is made of freshly cut green bamboo: ao-dake, 青竹, green-bamboo, hiki-kiri, 引切, draw-cut (sawn), futa-oki. Is the origin of the aodake futaoki a sakazuki made of aodake, and perhaps for drinking o-mi-ki , お神酒, hon.-sacred sake, at a Shintō ritual? The green bamboo cup at the right, ao-dake sakazuki, 青竹盃, green-bamboo sake cup, h. 2” – 1.7 sun kane-jaku. The height of the green bamboo futaoki used by Take-no...