The furo and the ro are rarely, if ever, used together, however there are so many similarities and differences that examining them together is quite revealing. One great difference is that the furo/kama manifests the Yō, 陽, positive aspect, and the ro manifests the In, 陰, negative aspect. The standard fu-ro, 風炉, wind-hearth, that uses a go-toku, 五徳, five-virtues, to support the kama, 釜, kettle, was originally made of tetsu, 鉄, iron, as was the kama, 釜, kettle. Furo are made in various materials; iron, bronze, ceramic, wood, etc. A furo is essentially a large bowl that has an opening in the front, hi–mado, 火窓, fire-window. The...
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Charcoal
Hibashi
Hibashi
Among the essential utensils in Chanoyu are a pair of metal hi-bashi, 火箸, fire-rods, used by the tei-shu, 亭主, house-master, to move pieces of charcoal, sumi, 炭. The charcoal presentation in the presence of the guests, kyaku, 客, is called sumi de-mae, 炭手前, charcoal hand-fore. Different types of hibashi are used with the fu-ro, 風炉, wind-hearth, and the ro, 炉, hearth. For the furo, Sen no Rikyū preferred simple hollow steel rods with an eye-hole at the end and covered with black lacquer. Hibashi for the ro are hollow, metal rods with mulberry wood handles: kuwa-e, 桑柄, mulberry-handle. The most formal hibashi are kazari hi-bashi, 飾火箸,...
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